Music Reviews: Matt & Kim, Weezer

Matt Kim - Sidewalks

Matt & Kim, aka the happiest couple in rock ’n’ roll, have always loved to get down. At the end of each show, they ditch their punk rock keyboards and drums, turn on the drum machine, and come out in the crowd to get the dance party started. “Sidewalks” is like the soundtrack for the afterparty. The record, the duo’s third, was made for the club. The hooks are as catchy as ever, but this time around, the usual bare-bones arrangements have been injected with a heavy dose of production — most notably huge hip-hop beats. There a bunch of great songs here (“Block After Block,” “Cameras,” “Red Paint,” “Wires”), but the record’s glossy sheen smooths out many of the wrinkles that make this band so fun to listen to. These songs will likely play better live, when they’re stripped down to the simple keyboards and drums that have induced booty-shaking for the past half decade.


Rating: 3 of 4




Weezer - Death to False Metal

You best watch your step or you’ll trip over a new Weezer album —the band has put out four in the past three years. “Death to False Metal” is a collection of newly recorded, old material. With any b-sides disc, you expect a few things: One or two good songs, some OK stuff, and a few weird ones. Probably the biggest disappointment with “False Metal” is the lack of the last category. The record begins with two catchy toe-tappers (“Turning Up the Radio,” “I Don’t Want Your Loving”) before falling into the formulaic mediocrity that has plagued each of Weezer’s past few records. It would be nice to hear some grand gestures, even if they were great disasters —just to know the band is still trying. Unfortunately, the only deviations from the norm are the slightly nu metal “Everyone,” the trudging cover of Toni Braxton’s “Unbreak My Heart” and the spacey “Autopilot.” Still, there are a few rough gems (check out the moody “Trampoline”) and, for a b-sides album, that’s all you can really ask for.

Rating: 2.5 of 4