







Curtis made his swimming pool debut tonight. It took a half hour to pour him into this getup (at 3 months, he’s a bit too big for this 6 month swimsuit). After five minutes of having his feet in the pool, he promptly fell asleep. Party animal.



Reggie and the Full Effect
Last Stop: Crappy Town
What began as a side project for Get Up Kids keyboardist James Dewees has turned into quite an impressive catalog. Though Reggie records have never been meant to be taken too seriously--thanks to Dewees' penchant for genre hopping, comedy skits and slew of alter-egos—they are all very lovable.
On "Last Stop: Crappy Town," Dewees continues to mix styles, but the humor is largely absent. The result is a constant battle between sweet power pop and hardcore so screamy that it hurts your voice just to listen to it. Unfortunately, without the usual middle ground, this Reggie album fails to stand out.
Rating: 2 of 4
For Fans of: Cobra Starship, Taking Back Sunday

Motley Crue
Saints of Los Angeles
When your best moments all happened 20 years ago, it makes sense that you'd want to wax a bit nostalgic. "Saints of Los Angeles" finds the '80s bad boys looking back at their career and remembering the good times. "LA girls they payed the rent/While we got drunk on Sunset Strip/And all the cash they made we spent/On tattoos and cigarettes." Add in Nikki Sixx clinically dying from heroin not once, but twice, and you've basically got the whole story of the band.
Though the album has plenty of filler, there are a few songs to get the testosterone going, namely "Face Down in the Dirt" and "MF of the Year." After all these years, Vince Neil still has a strong set of pipes, Mick Mars can still shred (despite actually being a walking ghost), Nikki Sixx holds down the low end and the irrepressible Tommy Lee adds just enough cowbell.
Saints of Los Angeles [MP3] (Via GloriousNoise)
Rating:2.5 of 4
For Fans of: Poison, Sixx: A.M.






Death Cab for Cutie
Narrow Stairs
Death Cab for Cutie had the all pressure of the indie world on its shoulders when it moved to a major label for its 2005 release, "Plans." The band rose to the challenge. The resulting record was both perfectly polished and beautifully intimate.
"Narrow Stairs" is the antithesis to "Plans." Loose and a bit rough around the edges, the new record feels much more organic than its immediate predecessor. This approach works well on the album opener "Bixby Canyon Bridge" and the eight-minute vamp "I Will Possess Your Heart." But the rest of the album just feels cheaply constructed.
Softer songs always work best for Ben Gibbard's shaky tenor and "Grapevine Fires" and "Your New Twin Sized bed" add some emotion to a surprisingly uninteresting outing. For the first time in their career, "Narrow Stairs" finds Death Cab just going through the motions.
Your New Twin Sized Bed [MP3] (via www.theseanshow.net)
Rating: 2.5 of 4
For Fans of: Pedro the Lion, Nada Surf, Postal Service

The Offspring
Rise and Fall, Rage and Grace
People stopped using "Offspring" and "cool" in the same sentence at least 10 years ago. But the band has continued to steadily release quality records that always manage to contain plenty of punk rock and at least one stupid, radio friendly hit.
"Rise and Fall, Rage and Grace" is par for the course—double time verses with big, catchy choruses. This time around they've added a few softer numbers ("A Lot Like Me," "Kristy Are You Doing Okay") to appeal to the tweener crowd, but for the most part it's still 1993 for this Southern California foursome. The Offspring may not have a lot of cred, but they still know how to write good songs.
The Offspring - Half Truism [MP3]
Rating: 3 of 4
For fans of: Pennywise, Face to Face

That Rivers Cuomo does to me every time. I get all excited about a new Weezer release, just to be disappointed when I finally hear it. The Red Album seemed so promising, especially with the classic-Weezer first single “Pork and Beans.” But Cuomo is being literal when he sings “I'm a do the things that I wanna do/I ain't got a thing to prove to you.”
The Red Album does whatever it wants. The first quarter of the record is quite good, if not a bit odd. After kicking off with the straightforward clap-along “Troublemaker,” the band manages to shove hip-hop beats, hardcore riffage, spoken word, and a soaring finale into the six-minute “The Greatest Man that Ever Lived.” Cuomo even succeeds in name checking both Pat Benatar and the Fresh Prince of Bel-Air—certainly no easy task—in the pretty “Heart Songs.”
But that’s when things go amiss. Cuomo relinquishes the microphone to his mates, resulting in the countrified “Thought I Knew,” sung by Brian Bell, the ‘90s rock “Automatic” sung by Pat Wilson, and “Cold Dark World” belted by bass man Scott Shriner. It’s nice when you let your friends have the spotlight for a second, but this is b-side material at best. And on an album with just 10 tracks, it’s a shame to throw away three of them. Sadly, this may be Weezer’s worst release.

Worst. Venue. Ever. It was bad enough that Memorial Day was a rainy mess. But it was made infinitely worse when the Death Cab for Cutie show was supposed to start at 5:00 p.m. and the Thanksgiving Point crew kept the crowd standing in line outside until 7:30 p.m. (Then, as the doors finally opened, they announced that all cars parked on the frontage road—about 200 or so—would be towed if they weren’t moved.)
Starting two-and-a-half hours late and facing a 10:00 p.m. music curfew made the event feel incredibly disjointed. Identical twin duo Tegan and Sara seemed out of sync as they tried to rush through an abbreviated opening set and Rogue Wave was dropped from the bill entirely. Death Cab didn’t fare much better, though their troubles were of their own making.
Just kicking off the promotion of their newest album “Narrow Stairs,” Ben Gibbard and the boys are understandably excited about playing the material. The problem is that the new material just isn’t that good. I was hoping that the new songs, which are much less produced than their immediate predecessors, would sound better live. No such luck. Though current single “I Will Possess Your Heart” was passionate, the rest of the “Narrow Stairs” material fell flat.
The band continued through the set, alternating between not-yet-familiar new material and obscure older songs. Occassionally, they’d throw the crowd a bone with a song or two from their best albums, “Transatlanticism” and “Plans.”
Accompanied only by his acoustic guitar, Gibbard sounded amazing on “I Will Follow You Into the Dark.” On “Soul Meets Body,” however, his thin tenor didn’t have enough power to do the song justice. It may have been the 40 degree air, but both he and guitarist Chris Walla struggled with the high notes all night long.
For all of the disappointments of the evening, Death Cab was not about to let the crowd go home unhappy. The encore featured “Title and Registration” and a shout out to the band’s early days of playing at Kilby Court. They closed the night with the phenomenal “Transatlanticism,” climaxing with Gibbard’s plea to “Come on, come on” reverberating through the Utah County night sky. All ill feelings were immediately washed away.
Local H’s seventh studio release is supposed to document the myriad of emotions experienced after the bitter end of a long relationship. But it turns out frontman Scott Lucas really only feels one thing--anger. “So, baby could you do me a favor?” he rants on the opening track, “Fall off the earth and I'll see you later.”
The band’s name has gotten shorter—cut down from Say Hi to Your Mom—but the sound has remained pretty much the same. Minimalist guitar, buzzing synth and electronic drums mixed with Eric Elbogen’s wobbly tenor and plenty of melancholy.
Teenager girls rejoice! The Ting Tings’ debut album has arrived just in time to be the soundtrack of your summer. When they’re not being featuring on the latest iPod commercial (with their bass-heavy disco romp “Shut Up and Let Me Go”) the British boy-girl duo are writing infectious, dance party anthems filled with cheerleader-shout vocals.

